Thursday, August 6, 2009

Joy en Argentina 2009 - AGOSTO


Hola!

Finalmente el regreso de Joy es una realidad. Viene por poquito tiempo -apenas un mes- pero con ganas de dar muchos seminarios en este período. Te cuento lo que se fue armando hasta este momento.

Para participar ponete en contacto conmigo e inscribite antes que se cubra el cupo de vacantes. Te recuerdo que el trabajo con ella es intenso, práctico y personal, por eso es necesario no sobrepasar un número máximo de participantes. Al final del mismo recibirás una devolución de tu trabajo.

¡NO PIERDAS LA OPORTUNIDAD!
¡TE ESPERAMOS!

Gracias!

Abril
155-827-5672
4794-0225

WORKSHOPS DE AGOSTO

WORKSHOP DE INSTRUMENTALES

1.- SABADO 22 Y DOMINGO 23 -

LUGAR: Un espacio abierto
-
Pasaje Carabelas 255 - Cap. Fed
HORARIO: 12 A 18 HS.


2.- MARTES 25 Y MIERCOLES 26

LUGAR: Teatro El Vitral
-
Rodriguez Peña 344 - Cap. Fed.
HORARIO: 18 A 23 HS.

WORKSHOP DE SUBPERSONALIDADES

1.- SABADO 29 Y DOMINGO 30 -

LUGAR: Un espacio abierto
-
Pasaje Carabelas 255 - Cap. Fed
HORARIO: 12 A 18 HS.


LA RESERVA ES ABONANDO EL 50% DEL WORKSHOP.


Tuesday, July 14, 2009

August 2009

CALL 15 58 27 56 72

Friday, June 20, 2008

PITCH YOURSELF MORE EXPRESSIVELY

PITCH YOURSELF MORE EXPRESSIVELY

Selling yourself or your ideas take a special enthusiasm that actors learn in their craft in order to trust in self-expression. This craft can benefit anyone in whatever chosen profession. Selling oneself is an art and a practice that can be learned.

1. Bring who your are to life by feeling confident

2. Know your story emotionally

3. Live it for real

4. Be open

5. Find your passionate side

6. Holding a conversation by being interesting

7. Freeing yourself from boredom

8. Learn your style

9. Don’t be afraid to be powerful.

10. Believe

Wednesday, June 18, 2008

Next Conferences

Next Conferences will be held from 5pm to 8pm at RESTO VESUBIO in Corrientes 1187 from Capital Federal.

* FRIDAY JUNE 20: HOW TO PITCH YOURSELF

* FRIDAY JUNE 27: SUBPERSONALIITIES AND VOICE DIAOLOGUE / THE CREATION OF CHARACTERS / WORK WITH ARCHYTYPES

* SATURDAY JUNE 28 FROM 3.30PM TO 19.30 PM: HOW TO PREPARE FOR AN AUDITION & IMPROV.
TOOLS FOR THE ARTIST

*****

ALL THE CONFERENCES
WILL BE HELD IN
VESUVIO RESTO - CORRIENTES 1187 -
CAPITAL FEDERAL


*****

COSTS
* PER CONFERENCE: $ 60. -
* JOY´S STUDENTS: 50% DISCOUNT
* GROUPS OF 10 OR MORE: 20% DISCOUNT

FOR RESERVATIONS AND INSCRIPTIONS:
JOYBUE@GMAIL.COM

TE: 15 56 30 92 17 / 15 58 27 56 72 / 47 94 02 25

Tuesday, June 17, 2008

SATURDAY JUNE 14

SUBPERSONALITIES
VOICE DIALOGUE
THE CREATION OF CHARACTERS
WORK WITH ARCHYTYPES


Voice Dialogue is a facilitation technique that lets you move towards that light touch of being where you discover and embrace all parts of yourself, while loosening any rigid identification with any one/single part of yourself.

Developing from Jungian and Humanistic psychology, and takes us deep into the realm of psyche, awareness and the dancing's of our inner life, rich with paradoxical needs and desires.

In this work, while discovering internalized opposing parts of yourself, learn to what it takes to accept and hold them to apply with choice.

These Conference last saturday had included teaching sessions, demonstrations, exercises, and individual experience of the work in Voice Dialogue sessions facilitated by Joy morris and other participants. There will be another in Friday 27 June on Restó Vesuvio from 17 to 20 hs.

Voice Dialogue is used internationally by executive coaches, therapists, spiritual counselors, business, team managers, and anyone on a self awareness path.

This Conference is your opportunity to begin your personal journey and provides the experiential, foundational training for those professionals looking to enrichen their therapeutic, coaching or mentoring work.

Working with archetypal energy patterns goes beyond the work on the personal level and give you a craft for the creation of characters as an actor.A deeper layer in our psyche will get activated and the movement of energy will increase.

Saturday, May 24, 2008

TO ALL THOSE WHO ARE PARTICIPATING
IN THE CONFERENCES
AND TO THOSE WHO ARE ABOUT
TO MAKE THEIR RESERVATIONS:

Those who wish to participate in the demonstration exercises, please arrive 45 minutes before so we can sit you at the fromt tables. Those who for personal reasons know that they will not be able to make it earlier can call by telephone or send an email to us with the Subject: " I want to participate" we will write you down on our list and reserve a place for you. Thanks!

Monday, May 12, 2008

JOY MORRIS IN BUENOS AIRES

Joy Morris arrives in Argentina in the month of June. This year she has decided to change her dynamic by not only giving her regular classes and workshops but also giving conferences to the general public who is interested in learning about her method.

There will be 6 Conferences throughout the month of June. These will be held every Friday and two Saturdays. Saturday 14 and 28.

These conferences consist of a two-hour and a half talk, a short 10-minute break in the middle and a question and answer round at the end.

These conferences are directed to actors, directors, screenwriters, teachers, coaches, dancers, musicians, acting students, psychologists, and anyone who is interested in learning the technique and the method for enriching your professional life.


*****
PROGRAM FOR THE CONFERENCES


FRIDAY JUNE 6:
THE MORRIS METHOD
THE TRAINING OF THE ACTOR
AND THE PREPARATION
FOR THE DIRECTOR OF ACTORS


FRIDAY JUNE 13:
HOW TO PREPARE
FOR AN AUDITION



SATURDAY JUNE 14
SUBPERSONALITIES
VOICE DIALOGUE

THE CREATION OF CHARACTERS
WORK WITH ARCHYTYPES


FRIDAY JUNE 20
HOW TO SELL YOUR PROJECT
AND YOURSELF


FRIDAY JUNE 27
SUBPERSONALITIES
VOICE DIALOGUE

THE CREATION OF CHARACTERS
WORK WITH ARCHYTYPES

SATURDAY JUNE 28
IMPROV.
TOOLS FOR THE ARTIST

COSTS

* PER CONFERENCE: $ 60. -

*6 CONFERENCES: 20% DISCOUNT $ 288. -


*GROUPS OF 10 OR MORE: 20% DISCOUNT
*******


FOR RESERVATIONS AND INSCRIPTIONS:
JOYBUE@GMAIL.COM

TE: 15 56 30 92 17 / 15 58 27 56 72 / 47 94 02 25

MORRIS ACTING METHOD

MORRIS ACTING METHOD



This is directed to any and all professionals who work in Cinema, Theater and Television. Those who work as actors, directors, dancers, choreographers, musicians, singers and students studying film, television and dance.

This is also useful for anyone who expresses themselves emotionally through their work or art such as painters, writers, set designers, cartoonists, etc. The idea is to explore all the areas of oneself and unblock whatever it is that cuts out the creative process.

The objective is to find the tools to enrich our personal growth and thus have a better emotional and physical development with ourselves and in regards to the construction of scenes, plays and characters.


1.- The development of ourselves


Being real.
Being theatrical.
Personal inventory.
Being in the moment.
Being.
Sharing with the other.
Practical exercises:
“You make me feel”, “Sharing something intimate”, “I wonder, perceive and observe”.


2.- Preparation. Technique
How does tension affect the actor. Causes. Exercises. Moment to moment. Last minute tension before a scene or audition.

3.- Emotional life of the actor


Breaking away from emotional blocks. Trusting your impulse.
Discovering your capacity.
Personal expressions
“Coffin Monologue”.
Exposing
“Imaginary Monologues”
Vulnerability.
Flow of consciousness
Abandonment
Vesuvius
Music and sounds
The inner child
The magical child
My critic
The magic pocket
Dime exercise
I deserve
I want
I need
Tantrum.


4.- Preparation for the work with other actors


Non-verbal communication. Wonder, perceive and observe. Endowment, “I like, I dislike”, “If you could see inside of me”. Confrontation. Get out of my way. Introduction to voice dialogue.

SUBPERSONALITIES

VOICE DIALOGUE

THE CREATION OF CHARACTERS

WORK WITH
ARCHYTYPES

" In each adult lies a child, an eternal child, someone who is always transforming, someone who never is transformed, someone who is always asking for attention, caring and education. That is the part of our human personality that wants to develop and become a whole”.

(Carl G. Jung)

********

SUBPERSONALIDADES

And Voice Dialogue

The creation of characters

The use of archetypes

The work with Sub personalities has as its objective to recognize and integrate different aspects of ourselves that are manifested everyday through multiple voices. Different parts that feel differently and who express themselves with unique energies. We learn how to use them in our personal and professional lives.

The technique of Sub personalities and Voice Dialogue was Developed by Drs. Hal y Sidra Stone. This constitutes an amazing tool for the development of characters through the work with archetypes.

Voice Dialogue is a technique that helps us understand how the different parts work and affect us in our lives in positive and negative ways.

We learn how to understand every aspect of our personality. We incorporate each area and abandon the stereotype ideas we have of them.

While we experiment with all the areas we come to discover those areas we have denied and we learn how to get them back for our personal and professional growth.

Voice Dialogue is used internationally as a coaching technique. Therapists, spiritual counselors, businessmen and anyone who is interested in understanding themselves also use it.

Work with Archetypes

**** Personal critic

**** Magical Child

**** Vulnerable child

**** The controller

**** Pusher

**** Perfectionist

**** Pleaser

**** Victim

**** Hero

**** Martyr

**** Warrior

**** Organizer

**** Seeker

**** Wise one

**** Aphrodite / Don Juan

**** Free Spirit
HOW TO PREPARE
FOR AN AUDITION



For directors, actors, dancers, singers, musicians, etc. The objective is to learn how to get the desired job.


1.- Before auditioning

- What are the professionals looking for? What do they want? What do I have to offer? What material to choose. Monologues. Style. Rhythm. Elements to keep in mind.


2.- THE AUDITION

WHAT ARE YOU FIGHTING FOR?
CONFLICT.
HOW TU USE HUMOR
CONFRONTATION
HOW TO USE MYSTERY
SIMPLICITY
HOW TO DEVELOP A PERSONAL STYLE
COMPETITION


3.- TO KEEP IN MIND

– THE DIFFERENCE BETWEEN STAGE, CAMERA WORK, FILM, TV AND COMMERCIALS.

HOW TO PREPARE A SCENE WITH THOSE PARAMETERS IN MIND.