TO ALL THOSE WHO ARE PARTICIPATING
IN THE CONFERENCES
AND TO THOSE WHO ARE ABOUT
TO MAKE THEIR RESERVATIONS:

Those who wish to participate in the demonstration exercises, please arrive 45 minutes before so we can sit you at the fromt tables. Those who for personal reasons know that they will not be able to make it earlier can call by telephone or send an email to us with the Subject: " I want to participate" we will write you down on our list and reserve a place for you. Thanks!

JOY MORRIS IN BUENOS AIRES

Joy Morris arrives in Argentina in the month of June. This year she has decided to change her dynamic by not only giving her regular classes and workshops but also giving conferences to the general public who is interested in learning about her method.

There will be 6 Conferences throughout the month of June. These will be held every Friday and two Saturdays. Saturday 14 and 28.

These conferences consist of a two-hour and a half talk, a short 10-minute break in the middle and a question and answer round at the end.

These conferences are directed to actors, directors, screenwriters, teachers, coaches, dancers, musicians, acting students, psychologists, and anyone who is interested in learning the technique and the method for enriching your professional life.

*****
PROGRAM FOR THE CONFERENCES

FRIDAY JUNE 6:
THE MORRIS METHOD
THE TRAINING OF THE ACTOR
AND THE PREPARATION
FOR THE DIRECTOR OF ACTORS

FRIDAY JUNE 13:
HOW TO PREPARE
FOR AN AUDITION

SATURDAY JUNE 14
SUBPERSONALITIES
VOICE DIALOGUE
THE CREATION OF CHARACTERS
WORK WITH ARCHYTYPES

FRIDAY JUNE 20
HOW TO SELL YOUR PROJECT
AND YOURSELF

FRIDAY JUNE 27
SUBPERSONALITIES
VOICE DIALOGUE
THE CREATION OF CHARACTERS
WORK WITH ARCHYTYPES

SATURDAY JUNE 28
IMPROV.
TOOLS FOR THE ARTIST

COSTS

* PER CONFERENCE: $ 60. -

*6 CONFERENCES: 20% DISCOUNT $ 288. -

*GROUPS OF 10 OR MORE: 20% DISCOUNT
*******

FOR RESERVATIONS AND INSCRIPTIONS:
JOYBUE@GMAIL.COM
TE: 15 56 30 92 17 / 15 58 27 56 72 / 47 94 02 25

MORRIS ACTING METHOD

MORRIS ACTING METHOD

This is directed to any and all professionals who work in Cinema, Theater and Television. Those who work as actors, directors, dancers, choreographers, musicians, singers and students studying film, television and dance.

This is also useful for anyone who expresses themselves emotionally through their work or art such as painters, writers, set designers, cartoonists, etc. The idea is to explore all the areas of oneself and unblock whatever it is that cuts out the creative process.

The objective is to find the tools to enrich our personal growth and thus have a better emotional and physical development with ourselves and in regards to the construction of scenes, plays and characters.

1.- The development of ourselves

Being real.
Being theatrical.
Personal inventory.
Being in the moment.
Being.
Sharing with the other.
Practical exercises:
“You make me feel”, “Sharing something intimate”, “I wonder, perceive and observe”.

2.- Preparation. Technique

How does tension affect the actor. Causes. Exercises. Moment to moment. Last minute tension before a scene or audition.

3.- Emotional life of the actor

Breaking away from emotional blocks. Trusting your impulse.
Discovering your capacity.
Personal expressions
“Coffin Monologue”.
Exposing
“Imaginary Monologues”
Vulnerability.
Flow of consciousness
Abandonment
Vesuvius
Music and sounds
The inner child
The magical child
My critic
The magic pocket
Dime exercise
I deserve
I want
I need
Tantrum.

4.- Preparation for the work with other actors

Non-verbal communication. Wonder, perceive and observe. Endowment, “I like, I dislike”, “If you could see inside of me”. Confrontation. Get out of my way. Introduction to voice dialogue.

SUBPERSONALITIES

VOICE DIALOGUE

THE CREATION OF CHARACTERS

WORK WITH
ARCHYTYPES

" In each adult lies a child, an eternal child, someone who is always transforming, someone who never is transformed, someone who is always asking for attention, caring and education. That is the part of our human personality that wants to develop and become a whole”.

(Carl G. Jung)

********

SUBPERSONALIDADES

And Voice Dialogue

The creation of characters

The use of archetypes

The work with Sub personalities has as its objective to recognize and integrate different aspects of ourselves that are manifested everyday through multiple voices. Different parts that feel differently and who express themselves with unique energies. We learn how to use them in our personal and professional lives.

The technique of Sub personalities and Voice Dialogue was Developed by Drs. Hal y Sidra Stone. This constitutes an amazing tool for the development of characters through the work with archetypes.

Voice Dialogue is a technique that helps us understand how the different parts work and affect us in our lives in positive and negative ways.

We learn how to understand every aspect of our personality. We incorporate each area and abandon the stereotype ideas we have of them.

While we experiment with all the areas we come to discover those areas we have denied and we learn how to get them back for our personal and professional growth.

Voice Dialogue is used internationally as a coaching technique. Therapists, spiritual counselors, businessmen and anyone who is interested in understanding themselves also use it.

Work with Archetypes

**** Personal critic

**** Magical Child

**** Vulnerable child

**** The controller

**** Pusher

**** Perfectionist

**** Pleaser

**** Victim

**** Hero

**** Martyr

**** Warrior

**** Organizer

**** Seeker

**** Wise one

**** Aphrodite / Don Juan

**** Free Spirit

HOW TO PREPARE
FOR AN AUDITION

For directors, actors, dancers, singers, musicians, etc. The objective is to learn how to get the desired job.

1.- Before auditioning

- What are the professionals looking for? What do they want? What do I have to offer? What material to choose. Monologues. Style. Rhythm. Elements to keep in mind.

2.- THE AUDITION

WHAT ARE YOU FIGHTING FOR?
CONFLICT.
HOW TU USE HUMOR
CONFRONTATION
HOW TO USE MYSTERY
SIMPLICITY
HOW TO DEVELOP A PERSONAL STYLE
COMPETITION

3.- TO KEEP IN MIND

– THE DIFFERENCE BETWEEN STAGE, CAMERA WORK, FILM, TV AND COMMERCIALS.

HOW TO PREPARE A SCENE WITH THOSE PARAMETERS IN MIND.

PITCH YOURSELF MORE EXPRESSIVELY

PITCH YOURSELF
MORE EXPRESSIVELY

FRIDAY JUNE 20
HOW TO SELL YOUR PROJECT
AND YOURSELF

Selling yourself or your ideas take a special enthusiasm that actors learn in their craft in order to trust in self-expression. This craft can benefit anyone in whatever chosen profession. Selling oneself is an art and a practice that can be learned.

1. Bring who your are to life by feeling confident

2. Know your story emotionally

3. Live it for real

4. Be open

5. Find your passionate side

6. Holding a conversation by being interesting

7. Freeing yourself from boredom

8. Learn your style

9. Don’t be afraid to be powerful.

10. Believe

IMPROVISATION

Improvisation

SATURDAY JUNE 28
IMPROV.
TOOLS FOR THE ARTIST

Being spontaneous should not be underestimated as a tool in acting or in life. Allowing for the drama of the moment and the fun of being off guard adds energy, productivity and discovery to your work.

1.- Thinking on the spot when called upon

2.- Learn to use your imagination to carry the drama through to the end

3. Be competitive, communicate and win.

4. Improvisation as a means of self –discovery

5. The relationship to the event you’re playing.

6. Humor and how to have fun

7. Opposites attract

8. What is and what’s not characterization

9. Allowing the moment to moment life

10. Taking chances and self rescue

ABOUT JOY MORRIS

ACTING COACH
ACTING DIRECTOR
FOR MOVIES, THEATER AND TV
PRODUCER – SCREEN WRITER - ACTRESS

Joy Morris is a prestigious acting teacher from Los Angeles, California. Along with Eric Morris has created a system based on the work of Lee Strasberg, which is known in the US under the name “The Morris System” for acting and directing actors.

“The Morris System” has been adopted as part of the actors training by famous celebrities such as Johnny Depp and Jack Nicholson among others. Jack Nicholson has even endorsed Eric Morris last book.

In Argentina actors such as Alejandro Awada, Fernando Coco Silly and Leo Sbaraglia (who brought her to Argentina for the first time to train him in the movie Wild Horses) among others have trained with Joy Morris and her method.

Joy Morris divides her time between presentations on the Morris system, classes, workshops and conferences throughout the US as well as other countries around the World. When she is not traveling she teaches in Tennessee.

Joy Morris is the author of the book For the Love of it. Her next book will be out before the end of this year.


ACADEMIC FORMATION

• Lee Strasberg Actors Studio In Los Angeles, CA
• Eric Morris Actors School Los Angeles, CA
• Warren Robertson’s Acting Studio, New York, NY
• Los Angeles Valley College in Van Nuys, CA
• Hal Stone & Sidra Stone, Voice Dialogue, Psychology of Selves - Los Angeles, CaliforniA
  

PROFFESIONAL EXPERIENCE

• USC - University of Southern California Developed Courses for Movie and TV Directors on “How to direct an Actor”.
• Carnegie Hall - New York Classes and training for. -* Joy Morris Acting Studio California, NY & Tennessee – Training and acting classes for actors and directors.
• Eric Morris Actors School Los Angeles, CA Teacher and Acting Coach
• Joy Morris Acting Studio in Argentina “ Intensive Workshops and regular classes to directors and actors of theater, TV and cinema.

PROFFESIONAL ACTIVITIES

• COFOUNDER OF “The American New Theater” in Hollywood, CA
• Producer, screenwriter and director of the movie: “The Night of the Coyote”
• Producer, playwright and director of the play “Who’s got the Edge” which played at the Madison Avenue Theater, New Cork and the Village Theater, New York
• Author of the book for the love of it, the Heart of the actor Writers Club Press (April 2001) Spanish Edition (2004), Editions GSM

CONTACT INFORMATION

For information about Joy Morris and her Conferences in Velma Café©
Send us a mail to: joybue@gmail.com
Or call us at:
4794-0225
15-5630-9217
15-5827-5672