MORRIS ACTING METHOD

MORRIS ACTING METHOD

This is directed to any and all professionals who work in Cinema, Theater and Television. Those who work as actors, directors, dancers, choreographers, musicians, singers and students studying film, television and dance.

This is also useful for anyone who expresses themselves emotionally through their work or art such as painters, writers, set designers, cartoonists, etc. The idea is to explore all the areas of oneself and unblock whatever it is that cuts out the creative process.

The objective is to find the tools to enrich our personal growth and thus have a better emotional and physical development with ourselves and in regards to the construction of scenes, plays and characters.

1.- The development of ourselves

Being real.
Being theatrical.
Personal inventory.
Being in the moment.
Being.
Sharing with the other.
Practical exercises:
“You make me feel”, “Sharing something intimate”, “I wonder, perceive and observe”.

2.- Preparation. Technique

How does tension affect the actor. Causes. Exercises. Moment to moment. Last minute tension before a scene or audition.

3.- Emotional life of the actor

Breaking away from emotional blocks. Trusting your impulse.
Discovering your capacity.
Personal expressions
“Coffin Monologue”.
Exposing
“Imaginary Monologues”
Vulnerability.
Flow of consciousness
Abandonment
Vesuvius
Music and sounds
The inner child
The magical child
My critic
The magic pocket
Dime exercise
I deserve
I want
I need
Tantrum.

4.- Preparation for the work with other actors

Non-verbal communication. Wonder, perceive and observe. Endowment, “I like, I dislike”, “If you could see inside of me”. Confrontation. Get out of my way. Introduction to voice dialogue.

SUBPERSONALITIES

VOICE DIALOGUE

THE CREATION OF CHARACTERS

WORK WITH
ARCHYTYPES

" In each adult lies a child, an eternal child, someone who is always transforming, someone who never is transformed, someone who is always asking for attention, caring and education. That is the part of our human personality that wants to develop and become a whole”.

(Carl G. Jung)

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SUBPERSONALIDADES

And Voice Dialogue

The creation of characters

The use of archetypes

The work with Sub personalities has as its objective to recognize and integrate different aspects of ourselves that are manifested everyday through multiple voices. Different parts that feel differently and who express themselves with unique energies. We learn how to use them in our personal and professional lives.

The technique of Sub personalities and Voice Dialogue was Developed by Drs. Hal y Sidra Stone. This constitutes an amazing tool for the development of characters through the work with archetypes.

Voice Dialogue is a technique that helps us understand how the different parts work and affect us in our lives in positive and negative ways.

We learn how to understand every aspect of our personality. We incorporate each area and abandon the stereotype ideas we have of them.

While we experiment with all the areas we come to discover those areas we have denied and we learn how to get them back for our personal and professional growth.

Voice Dialogue is used internationally as a coaching technique. Therapists, spiritual counselors, businessmen and anyone who is interested in understanding themselves also use it.

Work with Archetypes

**** Personal critic

**** Magical Child

**** Vulnerable child

**** The controller

**** Pusher

**** Perfectionist

**** Pleaser

**** Victim

**** Hero

**** Martyr

**** Warrior

**** Organizer

**** Seeker

**** Wise one

**** Aphrodite / Don Juan

**** Free Spirit